Every culture has its own unique Rites of Passage. These Rites demarcate childhood from adulthood, separating boys from men and girls from women. As with most sexually differentiated behavior, male Rites of Passage tend to be more dramatic and well defined than the Rites of Passage for girls. Typically, the demarcation of boys and men invovles the full expression of male aggressivity, channeled into socially acceptable and necessary channels. Most male Rites of Passage invovle fighting enemies or a derivative. As we have managed our way to become more civilized, the murderous nature of male Rites has been tempered, so that often such Rites are only distant derivatives of such primitive aggression. Rites of Passgae also become the basis for the culture's evocation of heroism. For example, a society that honors the warrior as the greatest ideal to which a boy can aspire can be sure to contain Rites of Passage that glorify aggression.
This creates a problem for pacifist societies. Since the role of the Rite is to enable the boy to channel his aggression in socially acceptable ways, societies that eschew aggression in all spheres will often find themselves celebrating feminized men who lack the abiltity to express what in more simple times have been known as masculine traits.
Over the weekend, two experiences brought these thoughts into focus. On Saturday night I saw 3:10 to Yuma. This is a wonderful movie on many different levels. The acting is superb and superbly nuanced. Russell Crowe exceeds superlatives for his acting, inhabiting a man who is as appealing as he is contemptible. Yet Christian Bale's even more subtle acting is a revelation. This movie works on so many different levels that the violence, and there is a lot of violence, though often seeming casual, brutal, and gratuitous, is actually essential to the movie and as informative as it is necessary.
The American western is the genre that captures the quintessence of what it means to be an American. The American cowboy at his best has always represented an updated version of Medieval chivalry. The lone Knight/cowboy dispenses rough but fair justice, protecting the weak and defenseless, especially the women and children who otherwise would be left to the mercy of the bad guys. This is an archetypal story and 3:10 to Yuma does a brilliant job, evoking nothing less than High Noon, perhaps the most compelling and emblematic of the kind. Yet the differences between the two movies could not be more telling.
[Minimal spoilers follow.]
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